Further Feedback

To receive further feedback, we each tweeted a link to our vimeo post of our final piece, along with another link to survey monkey containing a survey we created. Below, you can see the tweet from my personal twitter, along with the survey that goes along with it:





















By doing this, we got even more feedback for our piece which allowed us to see what the audience thought about the Film Noir, and what aspects in particular they liked. We also decided it would be a good idea to show our piece in our forms, and get the members to fill out our survey on online to receive ever more feedback. Below is the record of feedback we got:

   










Unfortunately, we didn't receive a huge deal of feedback, but from what we got we were able to get an idea on what people thought about our piece. Generally, all of the feedback we got was really positive and people were giving us good comments about our piece. We are very happy with this, and feel our piece as a whole is now completely finished.

Production Log - Final Piece

With a few days left to complete our Film Noir production, we need to change a few things from the draft we previously did to make our production complete. For example, we need to edit the voiceovers to remove the sound of Matthew's voice. When we originally recorded the voiceovers he spoke and it is clear to hear in the film, so editing that out will improve the quality of our sound. Another thing we have to do is edit the footage shown in our first draft so that Heather's stumble is not noticeable. We've already re-filmed some of the footage so adding that in will eliminate our audience noticing Heather's trip. A final thing we may experiment with is where in our production the titles come up. Currently, they appear midway through the production, but after the comments we received from our survey we may analysis how it works at the start of our film instead.

Studio Ident - Credit to Matthew and Heather

Here is the studio ident we used and created for our final piece. It is a screenshot from Matthew's blog, because him and Heather were mainly responsible for creating it.





































Reflection:
We had split up the tasks at this point, so whilst I was carrying out some research, Matthew and Heather were able to spend some time designing and editing a studio ident to embed into our Film Noir. The method of splitting up tasks is again shown as being useful here because we were able to get more work done and move further towards completing our film. To improve this task, perhaps they could've spent a bit more time on it. Having said this, I think the studio ident is very good and fits the convention for a Film Noir. Although the rabbit makes it seem slightly childish, the way we have presented it makes it appear more sinister which allows it to fit in our Film Noir.

Researching Editing Techniques

Like the research on sound, I also decided to do some brief research on the way that a Film Noir is edited.

Editing:
When researching online about the editing used in film noir's, I wasn't able to pinpoint a website that clearly described in detail the way that they were edited after being filmed. This is because that back in the time when they were made, technology was limited and very little amounts of editing could actually be done. It was most likely done during the actual filming progress.
After using Vimeo to watch some more Film Noir's, it is clear to see that techniques which fall into the editing section are simple things such as eye line match, and shot reverse shot, along with the soundtrack and voice, not to mention that most classic Film Noir's were shown in black and white. The website for Vimeo is below:
Film Noir's on Vimeo
For our final piece, we plan to film it and then obviously edit it, but to stick to the conventions of the way that Film Noir's are edited, we will keep things simple. We will add the voiceovers, along with the soundtrack, and possibly some transitions in between scenes, but generally we want to keep things simple to match the convention and make our film seem like a classic Film Noir. We hope that from the way we edit and produce our piece, members will think it is an old film, and even possibly relate it directly to the genre of a Film Noir.

Reflection:
As I've mentioned before, splitting up the tasks between our group has been very effective for us and worked well, because its meant that the research we've done has moved forward quickly, and meant we can film our piece quicker, which in the long term will give us more time to edit. To improve this piece of research, like the one on sound I would have liked to cover more detail, however with the editing aspects of a Film Noir, there is very limited amount of things to talk about so I think the main areas have been covered. From this task, I learnt about the simple form of editing in a Noir, and it gave me a full understanding of how simple we must keep our editing for our production.

Research of Opening Title Sequence

Now that we have looked at different variations of narrative structures as well as knowing our genre, it was time to do some research about Film Noir's. To do this, we each picked a classic Film Noir and analysed the opening title sequence, noting down the conventions. The website I used to do this, is called Art of the Title. Here, I found a large variety of different opening title sequences, and by looking up Film Noir's, I was able to find 'Fallen Angel' from 1945, which is a classic Noir.
The website to Art of the Title with the Fallen Angel opening title sequence can be accessed by clicking the link below:
Fallen Angel Opening Title Sequence

After watching the opening title sequence of the Film Noir 'Fallen Angel', there are some clear conventions that are unique to a Noir.
In terms of camera, and the way each shot is composed, its very basic. Noir's are different in the way that the opening titles last for one or two minutes, and whilst they are being shown very little is happening in and around the scene. For Fallen Angel, it follows exactly this because for the whole duration of the opening sequence the camera doesn't actually move, and instead editing is used to display each title. The camera is placed at the front of what appears to be a bus, which is travelling along a main road. The road signs that it goes past are enhanced and edited in a way that titles are visible on them. An example of this can be seen in the screenshot below:
As you can see here, the shot is composed very simply because the camera doesn't move. The titles are edited onto the road signs, and made easy to read for an audience. This carries out throughout the whole opening title sequence, so in terms of camera, the shot used is very simple, and the editing around it allows us to read the titles on the upcoming road signs.


The sound used throughout the titles of Fallen Angel is very typical Noir style. Just by listening to the soundtrack, it gives us an old classic feel, which we will have to try and recreate to match the soundtrack convention for our production. The music in Noir's is generally composed using saxophones, pianos, and trumpets. This soundtrack is played throughout all of the opening title sequence, and fits well with the titles. The soundtrack also helps to create an atmosphere so early in the film.
Very little can be analysed in terms of mise-en-scene, because there is so little happening in the titles. As mentioned before, the camera is placed still at the front of a bus, so all we can see is the road in front. The whole clip and film is in black and white, which is obviously edited in. Film Noir's are always traditionally in black and white, so we will ensure that our production follows this convention.

Reflection:
We each analysed an opening title sequence of a Film Noir, and all did a blog post on it. This was a big step for us in terms of our research, because we were able to analyse each others posts and talk as a group about the conventions we found, and how we plan to match them. The conventions that I've talked about above, were similar to what Matthew and Heather found. This was good because it showed that we all had a good understanding on how identify the conventions of a Film Noir, as well as knowing exactly what they are. We all learnt from this that splitting the tasks between us is good and can be very useful in terms of research, especially in this case because we got triple the amount of research and three different classic Film Noir's analysed. Our next steps are to look out the ways to recreate sounds, and possibly start further planning with out production and look at locations we could possibly film at.

Narrative Starting Ideas

Our task for Media is to recreate an opening title sequence of a particular chosen genre. For my final piece, I am working with Matthew and Heather, and we have started to plan a narrative for our production and discussed different ideas for a story. We started by talking about a genre, and landed on the idea of recreating a Film Noir as much as we can. To do this, we will need to have a full understanding of the conventions that a Film Noir has, and attempt to recreate these into our production. Soon, we will allocate roles to each of us to ensure that we have that full understanding of this particular genre of film. Research will have to be done on things such as sound, so that we know what the soundtracks generally are, not to mention the way the dialogue is embedded. We will also need to research typical camera angles used, and the way that these films were edited, and how, not to mention the mise-en-scene, such as costumes and location. Another aspect of research will be the audience of a Film Noir; with an understanding of who these films were generally aimed at, we will have a good idea on the way we need to adapt our production to suit this particular type of audience. As a starting point, we talked as a group about possible ideas for our film and also about how many characters we would plan to have and what the general idea would be. From this, we were then able to write out a general synopsis of the narrative that we want our story to follow. Obviously this is just a starting idea so we will undoubtedly build on this idea and develop it in different ways.

'Micky is staring in the mirror with a gun... Flashback:

He was a successful person, but he had a big secret.

He employs an assistant (femme-fatal) who finds out his secret but agrees to keep quiet by blackmailing Micky.

Leaves him broke.

In his anger he kills her.'

Reflection:

In terms of planning, this was a good starting point for us. We were able to pitch all of our possible ideas across to each other, and adapt each one as a group. This was also good because now that we have picked our genre (Film Noir), and created a general synopsis, we can move on to research and future planning for filming our production.

This task also had some negative aspects, which allowed each of us to learn what we need to do to improve as a group. The discussion we had about out genre and narrative took a long time, and we were quite indecisive at times about deciding exactly what direction we wanted our production to go in. With future discussions, we plan to try and be more decisive about the decisions we make, which will allow us to work faster and develop ideas quicker. If we had landed on a genre and narrative quicker, we could have adapted our piece further and perhaps starting thinking about other things such as a location for our filming, or what equipment we would use. Having said this, the synopsis above is a good starting point, and we are all happy with the ideas we have.