In Depth Sound Research - Credit to Matthew

Although I did some brief research of sound, Matthew decided to do some more in depth research of it for our final piece. The post I previously did on sound can be accessed by clicking the link below:
Previous post on sound
The more in depth work that Matthew carried out can be seen below, in a screenshot form of his blog post.

Reflection:
Having Matthew carry out this extra research on sound was very useful for us as a group because it meant that we could refer to this post when editing to read about the enhanced effects of layers of sounds that can be added for a Film Noir. As you can see from the screenshot, a lot of the work is in blue meaning it wasn't Matthews words, so an improvement could be to make the work more independent to him. Having said this, the way he converted what he'd heard into a blog post was very good, and he gave credit to other people where due. Our next steps are to use the research with our editing, and refer back to it regularly to ensure our understanding of sound stays up to scratch.

Production Log

This production log covers the last week of our media work. Last Thursday was the 21st January, and me Matthew and Heather all met up to get as much filming done as we possibly could. We waited until around 7 o'clock that night so it was dark, which meant we could create shadows using lights to give our piece a film noir feel. We spent around 2 hours filming, using a street and an alley way that was fairly local to us all. After our filming process, the next day was Friday the 22nd, and we uploaded all of the footage we'd filmed the day before onto a Mac in our media classroom. Once it was all on there, we put it onto iMovie and edited the clips so they were in order. We added a black and white filter over it and added the soundtrack that Matthew had previously found. However, after putting our clips in order, we soon realised that there were scenes we were missing, and certain aspects of the film that didn't quite make sense. To fix this, we plan to meet up once more to film again to fill these gaps, and we've set a date for Wednesday 3rd February. We also saw that there was another aspect of the film we wanted to include, so we have filmed it and added it to our unfinished film on iMovie. The filming today (27th January) was done in a drama room. We pulled a thin curtain across the room and turned all of the lights out; then we used an iPhone for a torch light on one side of the curtain with me and Heather, and then a camera on the other side that was operated by Matthew. This made mine and Heather figures look like silhouettes, we we felt looked really good and added a further film noir type of convention to our production.
Overall, we felt that our filming process went fairly well, considering how low the temperature was that night. Despite the cold, Heather kept her character as the femme fatal by wearing her red dress, and I kept the character of the everyman wearing a suit. The actual filming was good, and we did a lot of takes of each scene to give us different camera angles to consider when editing. To improve our filming, we would of liked to have gotten it all completely done, because despite the fact that on the night we thought we'd done it all, when we actually went back through the clips there was stuff missing, which means we have to set a date to film again.

Film Certificates

We think that it would be good to do some research on the certificates that films are given. After this research has been completed we can judge what certificate we think our film should be given related to the content in it.
The website I used to find the relevant information for this is available through the link below, I read about each certificate and summarised it in my own words to show I had a full understanding:
Film Certificates


Universal:

The universal symbols means that people who are shown this film or plan to watch it should be over the age of 4. However, it is impossible to predict what may or may not upset a certain child, or what content they may be scared of. Universal films generally contain nothing offence or worrying, with practically no reference to drugs, sex and very little to violence. Films rated with this certificate are usually aimed at children.


Parental Guidance:

This symbol means that children should be supervised by a parent or guardian when watching a film or TV show that is rated a PG. Films that are rated PG aren't always necessarily aimed at children to watch with the parents, some could just be aimed at adults but with very little offensive or disturbing content, meaning that if supervised children could watch it with their parents.


12A:
A film that is rated a 12A is something you will only see in a cinema. A film rated 12A means that it is aimed at people who are aged over 12, so the content will not be suitable for children. However, if someone under the age of 12 wants to see a film rated 12, they are allowed to do so as long as a parent or guardian over the age of 12 accompanies them to the cinema. Films or TV shows that are rated with this certificate are likely to include some brief scenes of violence, threat, drugs, sex and bad language.


12:

If a film is rated 12A in a cinema, when it is released on DVD, the certificate will change to a 12. This is because accompanied viewing cannot be enforced at home, so as a result of this retailers aren't by law allowed to sell discs that are rated 12 to anyone who doesn't have proof to show their age. As mentioned above, a 12 film is likely to include the same things as a 12A, the certificate is just changed for cinematic viewing.

15:
A film that is rated 15 means that no one under this age can see it at a cinema without identification, and it cannot be sold be retailers to anyone under this age without proof. Films with this certificate will undoubtably include some explicit scenes of violence, threat, drugs, sex and bad language, and possibly some scenes that some people may find offensive or disturbing.    


18:    

A film with an 18 certificate means that you have to be 18 years of age to see it at the cinema, and also 18 to buy it in store. The thing thats separates an 18 from a 15 is the persistence of the explicit scenes, and the duration. A 15 may include one scene of strong violence, where as an 18 may include several scenes of strong violence, making the film as a whole more explicit.


Our Piece:
After a discussion with my group about the content of our media piece, comparing what we will include to the research I have done above, I think our piece should be rated a 12. I think this because in terms of explicit scenes, our piece is limited. We don't include any strong scenes of violence or bad language, which means that the 18 and 15 certificates are eliminated. I don't thing that the Universal or Parental Guidance ratings suit our piece because the general content of our film will be related to an adult audience, and will not be understood by children. The 12 certificate is right for our piece because it relates to the brief references of of threat and violence; also the scene of our femme fatal smoking a cigarette is likely to not be understood or seen by children.

Reflection:
This piece of research was extremely good for us because it meant we had an idea of what certificate our film would fall under. I also learnt about the reasons why a film is rated what it is, and what things make the piece that certain certificate. To improve this I could have embed some films in with the certificates, and gave some examples, but I feel that I only wanted to cover what aspects made a film that rating and not include examples. Overall, this task was very neccersary for the completion of our final piece.

Production Log - Voice Overs

 Today, Heather was ill so me and Matthew decided to record my voiceovers for the final piece so that once we had filmed, they were ready to add on. We found an empty classroom to do this so that my voice wasn't blocked out in any way by background sound. The technological device that we used to record my voice on was Matthew's iPhone 6. We took a lot of records of each sentence in case my tone of voice didn't fit or sound right when we added it to our final piece.
We plan to film our piece some time next week. We had previously planned to film it before this, but we had to postpone because we weren't in possession of the correct props which play a big part in our filming process.
Attached below is a sound cloud file that Matthew made containing all of the voiceovers we recorded. Although it was made purely by Matthew, I think it belongs on my blog because the sound files feature my voice.



Reflection:
Putting all of our voiceovers into a sound cloud file made our blog more interactive, and made it easy for people to have access to the original voiceovers to see how they sound without the Film Noir around it. To improve, we'd of liked to have recorded more voiceovers to have more options to chose from when it came to embedding them into our final piece. Having said this, the voiceovers we have recorded are very good and we are all happy with them and the way they fit into our media piece. Our next steps are to continue editing our piece to have it completed.

Script

Me and Matthew worked on the script for our final piece. Matthew helped the script stick to our narrative and head in the right direction, whilst I developed the ideas and wrote the script itself.

Josh Coe: Tony (Everyman)

Heather McDonald: Victoria (Femme Fatale)

EXT. Road. Night

(Tony leaning against wall looking at empty wallet)

Tony: 

(voiceover)
(hopeless)

I lost it all, she took everything I had. I'm left with nothing but dreams, of what could have been.

(Tony tosses wallet away and walks off)

OPENING TITLE SEQUENCE 

Tony:

(voiceover)
(desperation)

Theres only one thing left to do, she deserves it.

(Tony stands behind wall to hide)

Tony:

(voiceover)
(with love)

This is the route she walks everyday, I'd never forget.

(Victoria becomes visible walking through the alley, a cigarette in hand)

Tony:

(voiceover)
(with hope)

She still looks as beautiful as she did the first time I saw her.

(Victoria walks past Tony but can't see him)

Tony:

(voiceover)

(more hate)

 She's blinded from the world, she deserves this.

(Victoria continues walking as Tony appears from the darkness)

Tony:

(aggression)

Hey Victoria!

(Victoria turns quickly and shock fills her face)

Victoria:

(Gasps)

(Tony pulls the trigger and the camera looms on the cigarette burning out)


Reflection:
Overall, we are happy with our script as a whole. I decided that it would be best for me to write it because of the other A-Levels I am studying (Creative Writing). This meant that writing a script was best suited to me. Matthew was next to me the whole time and helped ensure that my ideas kept to the genre at the narrative structure we had. The script writing went well and we are getting closer to filming now. To of made this better, we could've just tried to do it quicker than we did, but we are happy with the content of the script and have no intention of changing it. It did take us quite a while to write because we kept changing and editing the ideas that we put into it, however I think that this is good because it allowed us to make sure that the content of the script was suited to our narrative.

Research of Camera and Composition - Credit to Matthew

Whilst I was researching sound and editing, Matthew did some research on camera and composition. The screenshot below shows the research he did, and the post on his blog:

Reflection:
With Matthew researching this, Heather doing mise-en-scene and me doing sound and editing, the 4 aspects that we wanted to complete have been done. We may come back to them at a later date and improve the amount of detail, but we are happy that we've split up the tasks to get them all done. We all learnt about the different aspects of a Film Noir, and put this knowledge into practise because of the way we discussed what we researched and how we should adapt our final piece to suit each convention. To improve I think we all would have liked to do more in depth research, but we just aimed to cover the basics so we can use the research to move onto the filming process.

Researching Editing Techniques

Like the research on sound, I also decided to do some brief research on the way that a Film Noir is edited.

Editing:
When researching online about the editing used in film noir's, I wasn't able to pinpoint a website that clearly described in detail the way that they were edited after being filmed. This is because that back in the time when they were made, technology was limited and very little amounts of editing could actually be done. It was most likely done during the actual filming progress.
After using Vimeo to watch some more Film Noir's, it is clear to see that techniques which fall into the editing section are simple things such as eye line match, and shot reverse shot, along with the soundtrack and voice, not to mention that most classic Film Noir's were shown in black and white. The website for Vimeo is below:
Film Noir's on Vimeo
For our final piece, we plan to film it and then obviously edit it, but to stick to the conventions of the way that Film Noir's are edited, we will keep things simple. We will add the voiceovers, along with the soundtrack, and possibly some transitions in between scenes, but generally we want to keep things simple to match the convention and make our film seem like a classic Film Noir. We hope that from the way we edit and produce our piece, members will think it is an old film, and even possibly relate it directly to the genre of a Film Noir.

Reflection:
As I've mentioned before, splitting up the tasks between our group has been very effective for us and worked well, because its meant that the research we've done has moved forward quickly, and meant we can film our piece quicker, which in the long term will give us more time to edit. To improve this piece of research, like the one on sound I would have liked to cover more detail, however with the editing aspects of a Film Noir, there is very limited amount of things to talk about so I think the main areas have been covered. From this task, I learnt about the simple form of editing in a Noir, and it gave me a full understanding of how simple we must keep our editing for our production.

Researching Sound

Another aspect of research I carried out was sound. I focused more on soundtracks, and in film sounds to see what conventions we will have to stick with for our Noir.

SoundTrack:
To understand the sound throughout a Film Noir, I first looked at the actual soundtracks that feature throughout the films. I used a website called All Music, which contained dozens of Film Noir soundtracks, and gave me and idea of the typical sounds throughout. The website for All Music and be accessed by the link below:
Film Noir sounds on All Music
















From this, I was able to listen to the way the soundtracks are composed, and their general sound to give me some sort of idea of what we need to create for our final piece.
After looking on the website, it is clear to see that the genre's of Film Noir soundtracks are 'jazz' and 'electronic'. They seem to be played on old pianos, and violins. This means that for our final piece we will need to either recreate a piece of music like this ourselves, or find some music that is copyright free to embed into our production.

In Film Sounds:
In terms of in film sounds, I focused on one thing; voiceovers. I used a website called Vimeo to watch some openings to Film Noir's and see exactly how voiceovers are used. The link to Vimeo is below:
Film Noir's on Vimeo











From researching this, it became clear to see that each Noir had a voiceover at the start which explained the narrative. Because Film Noir's always traditionally start with the end of the film, the voiceover gives the audience an insight of exactly whats happened before to create this situation in the first place. This means that obviously we will try to match this convention to start our Noir at the end, and have a voiceover explaining exactly what has happened to create this situation.


Reflection:
Although this was only a brief piece of research, it was still vital for our group because it allowed us to understand the typical soundtracks used, and the way a voiceover is embed into a Noir to create the story line. Obviously to improve this task I could've done more in depth research, but I just wanted to gain some brief knowledge so that we have an idea on the sounds used. We may come back to this and do some more in depth research later on to gain us even more of an understanding. I learnt about the soundtracks used in Noir's from this research, and I now feel more confident with the knowledge of the conventions we must match.

Research into Mise-En-Scene - Credit to Heather

Whilst I was carrying out research on location and Matthew was adapting the narrative, Heather did some research on mise-en-scene, and talked about the costume and props typical for a Film Noir. Her post can be seen in the screenshot below.

Reflection:
Splitting our group up to work on different aspects of research was very useful and proved effective for us because we were all able to come into lesson and work independently on different aspects of research. This also meant that if any of us had any free time, we knew exactly what we needed to be doing. We all learnt how much easier it is if we trust each other to do different parts of our planning and research, and how much quicker it can prove to be. To improve this post, Heather could add some links about the websites she visited, but the research she carried out is good.

Photo Shoot

With research carried out about our location, and the synopsis of our narrative having been written, be decided it was time to do a photo shoot using one of our possible locations. The post I previously did about possible locations can be accessed by clicking the link below:
Location Research
This location features in the post above, but we are unsure about wether or not this will be the final place we pick for our actual filming. The purpose of this photo shoot was just to say what scenes will go where. We haven't sorted out costumes or props yet, so we are just wearing our normal clothes for this. Also, this shoot is during the day, but we will film our actual final piece at night to create the 'Noir' effect and match another convention. Matthew took the pictures of me and Heather on his iPhone 6 using a range of camera angels. He then sent them to me via Gmail, and I put them into a power point before uploading them to slide share:

Media photoshoot from Coey1611

Reflection:
In terms of planning, this was a big step up for us and helped us move forward in the right direction. From creating this photo shoot, as a group we now have a firm understanding of what scenes will go where when it comes to filming. We also now all have a feel for the location, because we all went there together to perform this photo shoot. We will now discuss further wether or not we think that this photo shoot could work for our production. From this task, I learnt about the importance of doing a photo shoot, and experimenting with different places throughout our chosen location. We could've done this task better by doing it in the dark or in costume, however we just wanted to draft each scene briefly to give us all an idea and I think we did that very well.

Production Log - Actors

After discussions within our group about what are next steps are to be, we've decided that it could benefit our grade if we looked at the possibility of hiring professional actors. This would also help stick to our conventions of a Film Noir because the actors need to look somewhat older than teenagers because in classic Film Noir's they are always older. The website we found to hire actors is called Star Now, and can be accessed by clicking the words 'Star Now' below:
Star Now
However, after looking on Star Now we discovered that in order to fill out the forms necessary to hire professional actors you have to be over the age of 18.
This is a set back for us because we really wanted actors to play the roles of our characters for us, but after further discussions together, we've decided that we will play the roles ourselves. Heather will play the femme fatal, whilst I will play the everyman. Although this isn't exactly what we wanted, we are glad we have been able to fix the problem.
Our Film Noir has failed to meet one of the conventions because of the age of our characters, so it has now became a Neo Noir because of this. We will still do our best to match all of the other conventions of a Film Noir, but overall the genre has shifted slightly.

Reflection:
This was a major setback for us, but we managed to find a solution quickly to help fix this problem. From this, we all learnt that we have to expect the worst, and plan ahead in case anything wrong does happen. In this case, we weren't expecting something like this to happen but we managed to work our way round out. To fix this problem further, we could have looked at other possible websites for hiring actors, but we anticipated that the same issue would appear on each one because of our age, so we decided that taking the responsibility of acting on ourselves would be the better thing to do.

Narrative Synopsis - Credit to Matthew

Whilst one of my roles was to research locations, one of Matthew's was to take all of the ideas we had discussed and put them into practise by creating a synopsis for our production. His post in relation to this is below:

Reflection:
This is an example of how dividing up the tasks was good for us because it meant that whilst I was carrying out research on possible locations, Matthew was working on our narrative which meant our planning time was moving forward quicker. Matthew did a good job here, and the synopsis he has created outlines exactly what happens in our film so that we are all aware of the plot. To improve, there could have been more detail used and perhaps a name for our character other than the 'femme fatal'. Having said this, I think that the synopsis created is very good and will help us move forward as a group and into the next stages of planning.

Location Research

It was now time for us to allocate roles for each other in terms of research. One of my roles was to look at the typical locations that Film Noir's were produced in, and try to match these locations with actual ones local to us for our filming.
First, I looked online to find some pictures of where a Film Noir would usually be filmed, and the typical image I found is the one you can see below. As you can see from this picture, it is dark which matches a convention that Film Noir's are almost always filmed during the night. The location itself is very urban, as Noir's always are. You can see the tall buildings that could possibly be flats, along with the long dark alley ways which are only lit up by street lamps, which makes the alley look misty. The street lamps also create shadows, which is another convention used frequently in Noir's. From a quick research into location, I got a full understanding of the type of place to search for locally to film our Noir. I will attempt to keep the locations urban, and incorporate other conventions by finding street lamps that give off shadows in the night with long dark alley ways.

After having a clear understanding on the locations that Film Noir's are typically filmed at, I decided to look around my local are to attempt to find certain places that could be an option for us when it comes to deciding on a location to film. The pictures you can see below are taken from each end of the same road. Out of all the places that I looked locally to me, this road stood out to me, and matches the conventions I've identified in the picture above. The road features street lamps which create a type of mist, along with some tall houses that gives the area an urban feel. There is also an alley way along this road that I was unable to get a picture of because it was too dark to physically see down it, however this could be used for a possible photo shoot during the day. When thinking about filming, this road would work with it because the main elements of filming could be done under the street lamps so the characters are visible, and the mystery can be created when they walk away and fade into the darkness. This is why the street lamps are vital, to help give our piece a sense of mystery. These locations that I found are only possible locations, and may or may not turn out to be what we actually decide to go for. I simply wanted to do some research into locations, and try and find a few myself so as a group we had some options as well as an understanding on the conventions.

Reflection:
As a whole, I think I performed this task well, and gave our group an understanding of Film Noir locations. Allocating roles to each other for research was a very good move because it meant we all had things to be getting on with, and could feedback to each other what we'd found. From this task we learnt the Film Noir locations, and now have some ideas about where we'd like to film. We also learnt the importance of communication between as a group, to ensure we were all aware of exactly what our task was when it came to research. To do this particular task better, I would of liked to have found even more possible locations to give us an even wider option when it came to picking a place to film. Having said this, I think that the research I did do will be very useful in the upcoming plan to film.